:D Which points to the fact that the acoustic environment/mix/low midrange EQing and so on are playing a role there as well. Still, in certain situations like recently when I played bass for 2 acoustic guitarists who both had their bass EQ turned up all the way, I didn't realize for half of the song that I was playing a semitone off. Interestingly, that has gotten better with the years for me, my theory is that (since the neural connections between the ear and the hearing parts of the brain are subject to "synaptic plasticity") the more you deal with bass and this problem, the better your pitch "resolution" becomes down there and your ear is learning to identify the fundamentals while omitting harmonics or the other way around or something along these lines. SCARBEE PRE-BASS is fully playable in real time, with almost all articulations (including mutes, harmonics, hammer-ons, pull-offs, grace notes and more). I know the problem by my own experience, it might have to do with overtones throwing the perception off, with volume, wearing headphones (I think that's where I had the problem most) and other instruments interfering with the overtones or the skull bone resonating (theory from a bass forum). I think this is could be a problem with bass pitch perception (which is a well-known phenomenon) rather than with the actual pitch.
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